![[Final pressing decision.]](img/panorama_eugenia.jpg)

| Overview |
| Pinot Noir |
| Chardonnay |
| 2001 |
| Pinot Noir |
| Chardonnay |
| Overview |
| 2000 |
| Pinot Noir |
| Chardonnay |
| 1999 |
| Pinot Noir |
| Chardonnay |
| 1998 |
| Pinot Noir |
| Chardonnay |
| 1997 |
| Pinot Noir |
| Chardonnay |
| 1996 |
| Pinot Noir |
| Chardonnay |
| 1995 |
| Pinot Noir |
| Chardonnay |
| 1994 |
| Pinot Noir |
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WINEMAKING AT KEEGAN CELLARS "Great wines are made in the vineyard". Wow, what a cliché. But you will read those words elsewhere when viewing this web site. Again, I cannot over emphasize the importance of this. As I continue to make wine (2003 will be harvest number 10 for KEEGAN CELLARS and harvest number 27 for me) I have come full circle. When I first became interested in the world of wine it was as a consumer of vin ordinaire. My family always had wine at dinner. Both of my parents have backgrounds that include agriculture in Sonoma County, specifically Russian River Valley, although it was not officially called that at the time. My early interest in grapes was just a youthful exuberance for two great interests of mine, the enjoyment of wine and the personal comfort in a natural setting. But soon, the mystery and the magic of the conversion of grape juice to nectar had completely lured me into its embrace. I think that winemaking is mostly a philosophy of and about the wines we would like to make, and the dedicated effort to guide the entire process to its very best outcome. Sometimes that outcome and the philosophy are preclusive, mostly they are wary allies, and occasionally they are one in the same.
Veterans of the industry will say that there are three things that make great wine; the vineyard, the winemaker, and the facility. Vineyards and winemaker are discussed elsewhere, but not the facility. In an ideal world one would have enough money to build the perfect little jewel of a winery to accommodate exactly what the winemaker had in mind. Each lot would have its own tank and there would never be a shortage of happy workers who were not tired, equipment would never break down, etc. But even money cannot buy all of that. One of the evolutionary changes that has occurred in the wine industry over the past twenty years is the business relationship called custom crush. Each winery that offers the service of custom crush has a slightly different bent on the rules and offerings. I am very fortunate to do my custom work at Benessere Vineyards in St. Helena.
But what is custom crush? It is the leasing or renting of excess space in a winery facility to individuals who want to make their own wine without having to make the financial investment needed for a winery. The beauty of this arrangement is that the winery has the space, in the form of excess capacity as they grow into their eventual size AND the winery is state of the art. This allows an artisan to have access to a first class facility that they would otherwise not be able to afford. And then there is the camaraderie.
A number of clients usually work out of one facility and at almost any time of the day or night during harvest there is one or more winemakers running around (literally!). This leads to serious professional support and conversation. In the winery where I make wine there are several of the finest winemakers in the valley, a modern design for wine movement by gravity, and an ability for me to leave the area and have a highly qualified staff looking after the babies. That staff includes Chris Dearden, Leo Martinez, Jorge Campos, and Laurie Wolfe. Simply put: I could not make wines of this quality without the sensitivity and cooperation of the individuals who work with me at Benessere.
Grapes arrive at the winery by around 9AM and are weighed, destemmed but not crushed back to picking bins and then loaded into 2-5 ton stainless steel fermentation tanks. The cool fruit is placed into the chilled tanks, the must is held for 5 days at 45-50 degrees F with a light punchdown each morning. The cap is covered with a CO2 blanket and the tank is sealed with a rubegoldberg hot tub cover, custom made to fit the tanks. After 5 days the chillers are turned off and the must is allowed to return to ambient temperatures. Within 72 hours an indigenous yeast fermentation begins. This lasts for 6-10 days, nutrients are added on an as needed basis. Punchdown is twice daily mixing for both skin exposure to juice, as well as to promote the circulation of hot pockets to achieve uniform temperatures. At 2-5 degree Brix the free run is drained to barrel and the remaining skin, seeds, and pulp are moved to press. The press juice is kept separate. All lots are then inoculated for malolactic fermentation. Pomace is removed to the vineyard compost pile. The next day the wine is gravity fed to barrels, 70% new from coopers Seguin Moreau, François Freres, Damy and Louis Latour. During the primary elevage the wine rests in barrel with bi-monthly stirrings and toppings. In late May the wine is racked off its gross lees and returned to barrel refreshed. The month of June is designated blending month and by the first of July a second racking occurs with the first assemblage returning to barrel. Final rack and blend, if needed, is in August when the wine is bottled unfined and unfiltered. Two critical concepts of winemaking are presented in this procedure that are somewhat controversial and risky. The first is indigenous yeast fermentation. All grape skins carry a large number of yeasts indigenous to the vineyard. In addition, there are thousands of yeast spores in the winery environment and left alone fermentation will take place. There is a lot of competition for food amongst the many yeast genera. However, within the vast population there are good yeast and what are called spoilage yeast. But one mans funk is another mans treasure. The need to be watching, smelling, and listening to your fermentation is paramount. The defecate of the yeast and its smells will guide your decision-making. A well done indigenous yeast fermentation is usually cited as a cause of greater complexity in wines. The second is the decision to filter or not to filter. It is much easier and safer to filter all wines. The chemistry before and after is not altered. But to my palate the rich, sweet polysaccharides, and the denser, weightier molecules are removed. The result is a lesser mouth feel. The result can also be some secondary activity in the bottle.
Indigenous yeast fermentation and filtration were discussed when talking about pinot noir winemaking. Here is a good place to discuss malolactic fermentation. There are three positive reasons to utilize this enzymatic process. The first is deacidification. The word malolactic comes from the conversion of L-malic acid to L-lactic acid. The result with respect to deacidification is less titratable acidity and an increase in pH. This is referred to as malolactic conversion. From a sensory point of view this is an exchange from the tart acid of a pippin or Granny Smith apple to the mouth coating lactic acid of buttermilk. The other aspects of the complete cycle include greater wine stability brought about by an uptake of micronutrients during growth, and flavor changes brought about by formation of end products. The stability aspect allows the wine to be bottled unfiltered. The flavor changes include taste perceptions of layers of vanilla wafer and crème brûlée but can also go overboard and be that of butterscotch and rancid popcorn butter. There are as many ways to make wine as there are winemakers making it. My goal is to do the most significant work in the vineyard such that the winemaking process starts with clean, healthy, balanced berries. A low tech, hands off approach suits my sense of being a non-interventionist in the cellar and allows each vineyard site to makes its own statement.
Welcome - Vineyards - Winemaking - Copyright © 2002 KEEGAN CELLARS.
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